1968: top: Jim Yester, Brian Cole, Ted Bluechel; bottom: Russ Giguere, Larry Ramos, Terry Kirkman |
"Requiem for the Masses" was motivated by a frightful flight to Milwaukee. Its central theme is, loosely, violent spectacles but the subject matter migrates, beginning with the death of a bull-fighter, fashioned after Federico García Lorca's elegy to his friend, "Llanto por Ignacio Sánchez Mejías" (which may work better as a poem than as a song). Sadly, so much is lost in translation to English language and performance standards that few will doubt how poetry died in anglophone cultures.
Davey Moore and 'Sugar' Ramos, Dodger Stadium, March 21, 1963 |
The song then attacks racism and protests [the Vietnam "television"] war and nationalism (i.e. red, [pallid] white and blue of the flag). The song's author, Terry Kirkman, insists that the Nixon White House asked Warner Brothers Records to stop promoting the song and it faded from sight.
Lyrics:
Songwriter Terry Kirkman. |
Mama, mama, forget your pies
Have faith they won't get cold
And turn your eyes to the bloodshot sky
Your flag is flying full
[Chorus]
At half mast, for the matadors
Who turned their backs to please the crowd
And all fell before the bull
Red was the color of his blood flowing thin
Pallid white was the color of his lifeless skin
Blue was the color of the morning sky
He saw looking up from the ground where he died
It was the last thing ever seen by him
Kyrie Eleison
Mama, mama, forget your pies
Have faith they won't get cold
And turn your eyes to the bloodshot sky
Your flag is flying full
[Chorus]
Black and white were the figures that recorded him
Black and white was the newsprint he was mentioned in
Black and white was the question that so bothered him
He never asked, he was taught not to ask
But was on his lips as they buried him
Rex tremendae majestatis
Requiem aeternam, Requiem aeternam
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