Showing posts with label Harry Chapin. Show all posts
Showing posts with label Harry Chapin. Show all posts

Wednesday, March 8, 2017

Song for Day 49 - "Circle" by Harry Chapin

Songwriter Harry Chapin.
Day 49 - "Circle" by Harry Chapin


      The similarities between Harry Chapin (December 7, 1942 – July 16, 1981) and Stan Rogers (November 29, 1949 – June 2, 1983) are remarkable.  Both were born in their country's largest cultural center (i.e. New York versus Toronto), and into musical families.  From Wikipedia:
Chapin often remarked that he came from an artistic family. His father Jim Chapin, brothers Tom Chapin and Steve Chapin, and daughter Jen Chapin are musicians. His nieces Abigail and Lily Chapin perform under the name The Chapin Sisters. His paternal grandfather, James Ormsbee Chapin, was an artist who illustrated Robert Frost's first two books of poetry; his maternal grandfather was the philosopher and rhetorician Kenneth Burke.

Country singer Mary Chapin Carpenter is Chapin's fifth cousin.
    Harry's brother, Steve, wrote and sang the lovely "Let Time Go Lightly".


     Meanwhile, Stan's brother Garnet accompanied him throughout his career and his son, Nathan, amuses audiences by throat-singing "Amazing Grace".


     Both Harry and Stan were deeply philosophical and political, active in progressive politics and charity projects.  They were national treasures but entirely approachable;  I was fortunate enough to meet them in the 1970s.  Both wrote excellent romantic works but were known primarily for their narratives.  One partnered with a baritone, the other was a baritone.  Before their 40th birthday, both died in accidents en route to concerts;  one perishing after a landing, the other before taking off [in a rescue helicopter].

Earl Gray's 68th.
     Chapin's "Circle" isn't overtly political but it reminds us of the cyclical nature of politics.  It raises the question:  "Can we prolong the crests and soften the impact of the troughs?"  That leads us to this mercifully abbreviated rant:

     By definition, conservatives are from the panstentialist do-nothing "Why-Ask-Why?" end of the philosophical spectrum.  Progressives are dedicated to improving the lot of the population, but are we committed to improving ourselves, individually and collectively?  Many seem to granularize elections and regard the candidates as figures shadow boxing on treadmills.  In fact, elections are a continuum, a death race against a foe whose supporters and candidates may be cretinous but whose strategists are patient and calculating.

     At the top of the ferris wheel ride we needed to look around and see what was working for us.  Now, at the nadir (i.e. Congress, statehouses and White House gone, SCOTUS fading), we need to recapture the success that--forgive me for saying so--we should have been building on.  While 46% of Americans take a Bob Carter approach ("Poor planning on your part does not constitute an emergency on mine."), even in the face of Genghis Don, we cannot afford to "let time go lightly";  we need to act.  We need inspirational leaders, not administrators or ideologues.  We need campaigners like Obama and Sanders (both 10 out of 10).  We need speakers like, again, Obama (a solid 8 out of ten as an orator);  no one else we're seeing today would win a slam even if it were judged by their family members.  


Harry Chapin's brother, Steve.
     A little sex appeal associated with the ticket didn't hurt the Obamas in 2008 and 2012, the Clintons in 1992 and 1996, John and Jacqueline Kennedy in 1960, or Melania and Ivanka Trump in 2016.  (It's not like the population is any less shallow than it was half a century ago!)

     We need "recognized obscurities":  candidates with some national name recognition but little or no baggage among Democrats.

     The good news is that we have uniters, Tom Perez and Keith Ellison, running the DNC.  We've shown that we can develop talent:  Bill Clinton was a disaster at the 1988 Democratic National Convention but became a passable public speaker (4 out of 10) before or during his 1992 run.

     We begin each election with an approximately 3% lead in members and leaners.  Given this advantage, if we are diligent about adapting and improving even after victories, we could turn that circle into an escalator.



Lyrics:

All my life's a circle;
Sunrise and sundown;
Moon rolls thru the nighttime;
Till the daybreak comes around.

All my life's a circle;
But I can't tell you why;
Season's spinning round again;
The years keep rollin' by.

It seems like I've been here before;
I can't remember when;
But I have this funny feeling;
That we'll all be together again.

No straight lines make up my life;
And all my roads have bends;
There's no clear-cut beginnings;
And so far no dead-ends.

Chorus:
I found you a thousand times;
I guess you done the same;
But then we lose each other;
It's like a children's game;

As I find you here again;
A thought runs through my mind;
Our love is like a circle;
Let's go 'round one more time.


Tuesday, January 31, 2017

Song for Day 12 of a 4 Year Funeral - "Cactus" by Ferron

Day 12 - "Cactus" by Ferron

Songwriter Deborah "Ferron" Foisy.
     A tree has fallen across the narrow road, blocking your progress.  Your first instinct is to:

a) look for a way to move it; or,

b) look for a way around it.

     Perhaps this songwriter should not be included in this series.  Ferron's work may be too personal and nuanced for us option "a)" activists;  she is very much a plan "b)" survivor.  Hers is a hyper-romantic solipsism-for-two that doesn't recognize a group larger than a lover's triangle, let alone the politics that might govern it. 

And the coldest bed I found does not hold one but it will hold three.
I hope you never have to know what that can mean.


     She doesn't speak of election day, but of every day.  Her focus is not the 54% who vote but the 46% who don't.  Her songs focus not on an optimistic future but on a poignant past that has brought us to an awkward present.  She doesn't write anthems, she writes narratives, more like Harry Chapin and Joni Mitchell than Bruce Cockburn and Buffy Ste. Marie.  Her songs are longer and less rhythmic than those by John Prine and Carly Simon.  Her verse is more like prose, new each time you hear it, than verbatim memorable poetry.  You will probably not sing Ferron songs in the shower.

"I read this book about how some scientists tried to get primates to paint. For 10 years they worked on it, and nothing happened. Then, one of the monkeys suddenly began to paint, and what it painted were the bars of its cage. So, in my writing, I believe I'm painting the bars of my cage so that I can get out. This is something you have to get done before you can meaningfully move on in any way." - Ferron

    Deborah "Ferron" Foisy rarely speaks directly about the sexual and physical abuse she suffered as a child and teen, but it's stitched into every line.  In the words of one critic, she lives and writes entirely in parentheses.  And somewhere there is humor.  We saw this on Day 2 with "Testimony".  We revisit it with "Shadows on a Dime", "Ain't Life a Brook?", "It Won't Take Long", "Girl on the Road", "I Never Was to Africa", "Our Purpose Here", "Harmless Love", the heart-wrenching, autobiographical "Shady Gate", and the visceral beauty of "The Cart".  Still, there is no better example of this than "Cactus":




Lyrics:

It's been a year
since you left home for higher ground.
In the distance I hear a hoot owl
ask the only question I have found
to be worthy of the sound it makes
as it breaks the silence of your old town
These letters are another way to love you.

It takes trouble, and it takes courage to be free.
But you 'll find, it you are soft enough, love will hang around for free.
And the coldest bed I found does not hold one but it will hold three.
I hope you never have to know what that can mean.

It's safe to say I took the long and winding path.
And were it not for loving friendships
who knows how long I would have lasted.
You're young one day but youth is rude
and while you watch it walks right past
and then...hey...you get your chance to think like me.

When I was young I was in service to my pain.
On sunny days you'd find me walking miles to look for rain.
And as many times I swapped it all just to hop a moving train.
Looking back, it was a most expensive way to get around.

And I found that all the world could love you save for one.
And I don't know why it is, but that kiss will be the haunted one.
You'll pine and weep and you'll lose good sleep
and you'll think your life has come undone,
until you learn to turn and spurn that bitter wind.

Because it'll probably be the one you least expect to,
who will wager through your storm with you,
who will give your fears respect...
who will melt your burden down...
though you probably don't want that yet,
still...the odds fall sweet in favor to an open heart.

Seems to me the tools for being human are wicked crude.
They're not so slick and smooth and shiny
as some stranger might allude.
And while your longest night might test you,
you don't be scared of solitude.
And remember what is shared is also true.

Because there's a place where the water races wide.
And you could be hard pressed (in the muck of time)
just trying to reach the other side.
You learn to find the only way, or you learn to say you tried.
It seems to me a lot of little towns were made that way.

Now while I'm at it...let me tell you about the moon.
Because I heard some people talking,
looks like we're probably going to have to move there soon.
All I know is the face it shows at midnight
is not the one it shows at noon.
But I bet it's a standing kind of wistful from over there.

In a word, I heard that life is a cactus tree.
And should you find a way to break it's skin,
won't you have a drink for me.
But if you're standing near a cactus,
you're probably where you shouldn't be.
Isn't this why you left your home, though you love me.

Now when I imagine life is only time and space...
then I guess I've seen the best of it upon your tender, loving face.
And the faith that you bestowed in me gives me a solid sense of place.

I learn to say...Fire, Water, Earth and Air...
I learn to say Fire, Water, Earth and Air...
I learn to say Fire, Water, Earth and Air...

I'll see you there.



Links:

Day 1 (The Inauguration) - "Hands" - Jewel

Day 2 (The Million Woman March) - "Testimony" by Ferron, sung by Marcelle Davies Lashley

Day 3 - "Ruins" - by Cat Stevens
 

Day 4 - "Eve of Destruction" (1964) - by P. F. Sloan performed by Barry McGuire

Day 5 - "Hypersensive Jester" - by Denny Guy

Day 6 - "Teresa" - by John Stewart

Day 7 - "Black Boys on Mopeds" by Sinéad O'Connor

Day 8 - "Burn, Baby, Burn" - by Bruce Cockburn

Day 9 - "Black Day in July" - by Gordon Lightfoot

Day 10 - "Democracy is Coming" - Leonard Cohen

Day 11 - "First We Take Manhattan" - Leonard Cohen

Day 12 - "Cactus" - Ferron